After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.

During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel's haunted past begin to experience disturbing events as old guests check in for a stay.

In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.

Romy (Diane Kruger) is on holiday in the USA with her French husband, Richard (Gilles Lellouche). But the journey quickly turns into a settling of old scores for this worn out couple. After an ultimate fight, Romy decides to break free. She cuts off her ties to a stable and secure life that has become alienating and escapes to the unknown.

Investigates the history, process and workflow of both digital and photochemical film creation. It shows what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital. Where we are now, how we got here and what the future may bring. Written by aolse9

After graduating from film school, Aura returns to New York to live with her photographer mother, Siri, and her sister, Nadine, who has just finished high school. Aura is directionless and wonders where to go next in her career and her life. She takes a job in a restaurant and tries unsuccessfully to develop relationships with men, including Keith, a chef where she works, and cult Internet star Jed.

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

The story of a disaffected comedy actress and her ambitious stand-in trading places.

A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.

Two New York film editors balance their personal relationships while reworking a movie in crisis.

From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys' friendship, Dash learns of the administration's cover-up that puts all the students in danger. Hailed as "the most original animated film of the year" and "John Hughes for the Adult Swim generation", the film's everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.

This portrait of Hilary Knight, the artist behind the iconic Eloise books, sees him reflecting on his life as an illustrator and his relationship to his most successful work.

Sarah Jo is a naive 26-year-old living on the fringes of Hollywood with her mother and sister. When she begins an affair with her older employer, she is thrust into an education on sexuality, loss and power.